The Steerage, Early 20th U.S., Stieglitz, it's known for a formative document and modernist art.

Equivalent, Early 20th U.S., Stieglitz, it emphasized pure abstraction and modern ideas of equivalence.

Nature Symbolized #2, Early 20th U.S., Dove, it captures the spiritual aspects beyond the human eye.

Music - Pink and Blue II, Early 20th U.S., O'Keeffe, the forms imply a connection between the visual and the aural.

Radiator Building, Early 20th U.S., O'Keeffe, it expresses the changing skyline of New York City.

Cow's Skull with Calico Roses, Early 20th U.S., O'Keeffe, she was inspired after seeing skeletons of starved animals.

I Saw the Figure 5 in Gold, Early 20th U.S., Demuth, the artwork is an abstract portrait of William Carlos.

Pioneer Days and Early Settlers, Early 20th U.S., Benton, he wanted to illustrate the history of the U.S..

The Ballad of the Jealous Lover of Lone Green Valley, Early 20th U.S., Benton, he based his art on a legend of a man who murdered his fiance after unfounded suspicous of infidelity.

American Gothic, Early 20th U.S.., Wood, it reassure at a time of great dislocation and disllusionment.

Nighthawks, Early 20th U.S., Hopper, it has a timeless, universal quality that trascends its particular locale.

Domino Players, Early 20th U.S., Pippin, it was inspired by his own childhood memories.

From Slavery through Reconstruction, Early 20th U.S., the saxophone represents the creativity and freedom.

The Dove, Early 20th U.S., Bearden, the cat represents how the streets are changing and there is something new to see each time.

Migration Series, Early 20th U.S., Lawrence, it was a mass movement of African Americans that received little public attention.